The ground is taped and with the first stoop the impulse becomes formal, the fatigue is coordinated, making the consumption of the body in a predetermined structure more evident. To the ground again, this time from posing, sliding, slipping or stepping; as he flexes an ankle, rotates his arm, presses his hand, bends his back. A series of materials have been seized. A brake interrupts his daily journey. Dry stop and decompression; loh linvel you from the power of what might not become. By relating materials, forms and processes, through scales without direct conversion, these sculptures sustain unstructured manifestations of desire.